Albert Wulffers, Péter Delpeut,
Ernst van Alphen, Yasco Horsman, Hans Maarten
van den Brink |
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De kunst van Péter Forgács
Book edited and introduction by Max Sparreboom
Uitgeverij Balans 2007 |
| Jessica Kedward |
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On Péter Forgács
Getty Research Institute -
Final Draft 2003/1 |
| György Szegő |
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Új elbeszélésmód - Forgács Péter: Dunai exodus |
| Revue de presse |
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EL PERRO NEGRO, de Peter Forgacs
Extraits de la revue de presse |
| Márk Mezei |
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A dunai exodus
2006 |
| Mestyán Ádám |
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Az esztétika angyala
Published in: BALKON 2006/3 |
| Kondor Ferenc |
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Marci és a Szépség
Published in: ES 2006/10/1 |
| Peter Delpeut |
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Péter Forgács. Home movies in oorlogstijd. |
| Peter Delpeut |
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Autopsie van het paradijs
Péter Forgács’ kronieken van het burgerlijk bestaan |
| Bill Nichols |
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"The Memory of Loss: Péter Forgács’s Saga of Family Life and Social Hell"
in: Film Quarterly - VOL 56 No. 4 - 2003/Summer |
| Jos Van Der Burg |
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"El perro negro Regie: Péter Forgács" in: Het Parool, 06-04-2005 |
| Leah Olman |
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"As History and Memory Ebb and Flow" in: Danube Exodus review |
| Michael Renov |
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"Historical Discourses of the Unimaginable: Peter Forgacs The Maelstrom" |
| Ernst van Alphen |
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"Towards a New Historiography: Peter Forgacs and the Aesthetics of Temporality" in: Leiden university |
| Kristian Feigelson |
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"Péter Forgács « CINEASTE DE LA BANALITE »" Positif N° 542 : avril 2006 |
| Roger Odin |
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"La famille Bartos et la série "Hongrie privée" de Péter Forgács
ou comment rendre l'Histoire sensible." in: Théorème,
Cinéma Hongroise – Le temps et histoire, PRESSES SORBONNE NOUVELLE, 2003. |
| Laszlo F. Foldenyi |
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"Analytical Spaces - the Installations of Péter Forgács" |
| Whitney Davids |
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"Peter Forgács’ Wittgenstein Tractatus" in: The World Rewound - 1992 |
| Malin Wahlberg |
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"Forgács filmer gör det förflutna mer gripbart"
in: Svenska Dagbladet/Kultur (Stockholm), 2004/02/01 |
| Kim Skotte |
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"Mit private Ungarn" in: Politiken (Copenhagen), 2004/02/01 |
| Eva Ekselius |
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"Innan vardagen föll i bitar" in: Dagens Nyheter / Kultur (Stockholm), 2004/01/31 |
| Robert Lacombe |
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"Péter Forgács : Budapest privée, le cinema entre histoires personelles et tragédies nationales.” In: Budapest en mouvment. Editions autrement pp 108., 2004 |
| Scott MacDonald |
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"Péter Forgács” in: A Critical Cinema 4, Interviews with independent Filmmakers, pp. 289, University of California Press, 2004 |
| Catherine Bangonnet |
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"The FREE FALL" in: “World Best 50 Documentaries” DOX International Documentary Film Quarterly No. 6/2003/12 |
| Oliver Kohn |
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"Pages arrées au livre du temps. Introduction sommaire au travail de Péter Forgács" in: Positif No.505, 2003/03 |
| Jessica Kedward |
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" 'The Psychoanalysis of Histrory' Péter Forgács in the GRI"
in: first draft -of the Getty Museum- Research Institute, 2003/1 |
| Roger Odin |
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"La Famille Bartos de Péter forgács, ou comment rendre l’histoire sensibile" in: Théorème, Cinéma Hongroise – Le temps et histoire, PRESSES SORBONNE NOUVELLE, 2003 |
| Fiona Trigg |
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"Burgeoise Dictionaries / Meanwhile Somewhere…1940-1943" In: remembrance + the moving image, Australian Centre for the Moving Image, 2003 |
| Michael Rush |
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"Wittgenstein Tractatus" p. 143 in: Video Art - Thames & Hudson, 2003 |
| Private Europe |
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"il cinema di Péter Forgács" 72 pages booklet published by FILMMAKER Nov. (Milano), 2003 |
Marsha Kinder and
Zaia Alexander |
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"The Danube Exodus" in: Future Cinema p. 359. ed. J. Shaw & P. Weibel ZKM, 2003 |
| Paolo Simoni |
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"Archeologia della storia privata" in: FILMMAKER, 2002/12 |
| Michael Renov |
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"Historische Diskurse des Unvorstellbaren. Peter Forgacs - The Maelstrom" /Historical Discourses of the Inconceivable One. in: montage/av p. 26-41, 2002/11/01 |
| Joseph Hanania |
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“World War Ii Refugees Who Shared Little But Pain”
in: New York Times, 2002/10/25 |
| Leah Ollman |
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"As History and Memory Ebb and Flow" in: Los Angeles Times, 2002/10/01 |
| Suzanne Muchnic |
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"On a River of Memory" in: Los Angeles Times, 2002/08/11 |
János Weiss,
J. A. Tillmann and
Tamás Fehérvári |
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“Bibó breviárium” in: Filmvilág, 2002/06 |
| Phillippe Azoury |
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"Vue d’une figure libre hongroise" in: Liberation, 2002/05/23 |
| Jacques Mandelbaum |
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"Rhapsodies d’un antitotalitariste exemplaire" in: Le Monde, 2002/05/23 |
| Patrice Carré |
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"A Bibó Breviárium de P. F." In: Le film Francaise, 2002/05/22 |
| Ron Holloway |
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"Bibó Breviárium" in: Moving Pictures, 2002/05/22 |
| Catherine Portuges |
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"Home Movies, Found Images, and “Amateur Film” as a Witness to History"
in: Moving Imgage, pp. 107-123, Minnesota Press, 2001/Fall |
| Deirdre Boyle |
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"Meanwhile Somewhere…. A discussion with Péter Forgács"
in: Millenium Film Journal, 2001/Fall |
| Giacomo Gambetti |
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"Péter Forgács in Lumière Cinema e Altro" in: 25-26 gennaio-giugno, 2001 |
| Sven Spieker |
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"A Conversation with Peter Forgács" At the Center of Mitteleuropa
in: ArtMargins, 2001 |
| Michael Renov |
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"The Maelstrom – A Family Chronicle"
in: catalogue Boston Jewish Film Festival, 2000/11/2-12 |
| Gergely Bikácsy |
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"Privát Magyarország - Forgács Péter filmjei" in: www.magyar.film.hu, 2000/09/17 |
| Steve Seid |
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"Péter Forgács turns Home movies Into a Private Epiphanies" in: RELEASE PRINT (San Francisco), 2000/July/August |
| Dennis Harvey |
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"Angelos’ Film" in: Variety, 2000/05/8-14 |
| Carolyn Chapman |
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"Strait from the Horse’s Mouth: Hungary’s Contemporary Art Scene"
in: Where Budapest and in: Live Budapest/Art, 2000/03/06 |
| Marnix Beekmans |
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"Turbulente periodeb in Griekse geschiedenis door gat in blik gefilmd"
(Angelos’ Film) in: TROUW (Amsterdam), 2000/02/07 |
| H.J.A. Hofland |
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"Uit het rauwe leven" (Angelos’ Film) in: NRC Handelsblatt (Amsterdam), 2000/02/07 |
| Nico de Klerk |
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"Vaderschap, vaderland" Skrien, 2000/01 |
| Timo-Erkki Heino |
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"EN HAULA INFORMOIDA, EN HAULA OPETTAA, EN HAULA VIIHDYTTÄÄ"
in: MEDIA VIRTUOSI, 2000 |
| Paolo Vecchi: |
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"L’ALTRA FACCIA DELL’ESISTENZA UMANA" Trieste Forgács Péter Grafitti Ungherese, 2002 |
| Andrew J. Horton |
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"Forgacs Shows..." Central Europe Review, 1999/12 |
| Forgách András |
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"Zárt kertek pusztulása" in: Metropolis, 1999/summer |
| Bori Erzsébet |
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"Waching the River Flow" in: Hungarian Quartely, 1999/summer |
| Földény F. László |
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"History Therapy on Film" in: Metropolis, 1999/summer |
| Michael Rush |
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"Private Hungary: The Bartos Family" p. 106-108 in New Media in Late 20th-Century Art (World of Art) by- Thames & Hudson, 1999 |
| Kenneth Turan |
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"The Most Personal Filmmakers" in: Los Angeles Times, 1998/12/01 |
| Hulb Stam |
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"Nederladndse films in trek op IDFA" in: Volksrkrant (Amsterdam), 1997/12/01 |
| Antonia Naim |
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Marseille Festival in: il manifesto, 1997/10/23 |
| Christian Iseli |
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"Visualised Memories" in: DOX (Denmark-Switzerland), 1997/08 |
| Schubert Gusztáv |
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"A démon fényképészei" in: Filmvilág (Budapest), 1997/8 |
| Raymond van den Boogard |
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"Allemaal deschuld van de CIA" in: NRC Handelsblatt (Amsterdam),
1997/06/27 |
| Paolo Vecchi |
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"Budapest: Produzione In Ripresa" in: L’Unita (Roma), 1997/02/16 |
| Vasák Benedek Balázs |
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"A történelem melankóliája" in: Múlt és Jövo (Budapest), 1997/2 |
| Gerjan Zuilhof |
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"FREE FALL" in: 26th IFFR Catalogue (Rotterdam), 1997 |
| Néray Katalin |
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"Between Actualities and Utopias in Central Europe"
in: Shiseido Exhibition Catalogue (Tokyo), 1996 |
| Hirishi Minamishima |
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"Christ in a Sock" in: Shiseido Exhibition Catalogue (Tokyo), 1996 |
| Jerome Mallien |
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"Forgács, la colére froide du concept" in: Derniere Nouvelles d’Alsac, 1995/04/05 |
| Peternák Miklós |
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"INSTALLATIONSHAVINGS" in: Kiscelli Museum Exhibition Catalogue (Budapest), 1995 |
| Bori Erzsébet |
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"…s romlandóbb mint a málna, vagy a hal" "Forgács Péter újabb elégiái"
in: Beszélo (Budapest), 1994/11/18 |
| Hajdu István |
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"Exhibitionism in the Indiference of God" in: Balkon (Budapest), 1994/10 |
| J. R. |
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"Nazi-troepen in de stad" in: NRC Handelsblatt (Amsterdam), 1993/11/10 |
| Albert Wulffers |
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"Het Spel der Vergissen" in: Nederland Film Museum Themareeks/20, 1993/10 |
| Jerome Mallien |
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"»Wittgenstein« Sourire á l’objectif" in: Derniere Nouvelles d’Alsac, 1993/03/23 |
| Bori Erzsébet |
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"A mondható és a látható világ" in: Beszélõ (Budapest), 1993/03/13 |
| Pieter Bogaert |
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"Interlude Leven is Ijdelheid" in: Andere Sinema, 1992/06 |
| Josef Woodard |
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"Hitting Home" (Private Hungary) in: Santa Barbara Independent, 1992/03/26 |
| Balassa Péter |
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"Private Hungary - Filmarcheology" in: Kritika (Budapest), 1992/02 |
| Laurence Follea |
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"Images d’Amateurs" in: Le Monde, 1991/10/28 |
| Annick Péignégiuly |
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"Cine-journal d’une famille hongroise" in: Liberation, 1991/10/27 |
| Gergely Bikácsi |
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"Dream Copies of Péter Forgács" in: Magyar Napló (Budapest), 1991/06/28 |
| György Spíró |
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"Midnight or A Couple from the Attila Street" in: Népszabadság (Budapest), 1991/04/28 |
| Peternák Miklós |
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"Private Hungary" in: Belvedere (Budapest), 1991/1 |
| Mieke Bernink |
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"De Tragiek van de Tijd" in: Screen, 1990/05/04 |
| Földényi F. Lászó |
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"Analitikus terek – Forgács Péter installációi" in: Magyar Lettre 29 |
| Catherine Bangonnet |
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"FREE FALL" in: Images documentaires n°28 |
| Bill Nichols |
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in Introduction to Documentary pp. 105, 135-137 |
| Malin Wahlberg |
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"Figures of Times / chapter Private Recollection The Family Album" pp 209 -220 |
| Michael Renov |
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"Historical Discourses of the Unimaginable: P. Forgacs The Maelstrom”
In: Film magasine VICTOR 9-2004, Malmo |
