Bibliography
ESSAYS ARTICLES on P. Forgacs (1991-2007) - on P. Forgacs' works
multiple authors: Nichols, Wahlberg, Renov, Follea, Péignégiuly, Balassa, Woodard, Mallien, Bogaert, • multiple source • 2007 •
Malin Wahlberg • "Forgács filmer gör det förflutna mer gripbart"
in: Svenska Dagbladet/Kultur (Stockholm), 2004/02/01
Kim Skotte • "Mit private Ungarn"
in: Politiken (Copenhagen), 2004/02/01
Eva Ekselius • "Innan vardagen föll i bitar"
in: Dagens Nyheter / Kultur (Stockholm), 2004/01/31
Robert Lacombe • "Péter Forgács : Budapest privée, le cinema entre histoires personelles et tragédies nationales.”
In: Budapest en mouvment. Editions autrement pp 108., 2004
Scott MacDonald • "Péter Forgács” in: A Critical Cinema 4,
Interviews with independent Filmmakers, pp. 289, University of California Press, 2004
Catherine Bangonnet • "The FREE FALL" “World Best 50 Documentaries”
in: DOX International Documentary Film Quarterly No. 6/2003/12
Oliver Kohn • "Pages arrées au livre du temps. Introduction sommaire au travail de Péter Forgács"
in: Positif No.505, 2003/03
Jessica Kedward • " 'The Psychoanalysis of Histrory' Péter Forgács in the GRI"
in: first draft •of the Getty Museum• Research Institute, 2003/1
Roger Odin • "La Famille Bartos de Péter forgács, ou comment rendre l’histoire sensibile"
in: Théorème, Cinéma Hongroise – Le temps et histoire, PRESSES SORBONNE NOUVELLE, 2003
Fiona Trigg • "Burgeoise Dictionaries / Meanwhile Somewhere…1940•1943"
In: remembrance + the moving image, Australian Centre for the Moving Image, 2003
Michael Rush • "Wittgenstein Tractatus" p. 143 in: Video Art • Thames & Hudson, 2003
Private Europe • "il cinema di Péter Forgács"
In: FILMMAKER booklet Nov. (Milano), 72 pages 2003
Marsha Kinder and Zaia Alexander • "The Danube Exodus"
in: Future Cinema p. 359. ed. J. Shaw & P. Weibel ZKM, 2003
Paolo Simoni • "Archeologia della storia privata" in: FILMMAKER, 2002/12
Michael Renov • "Historische Diskurse des Unvorstellbaren. Peter Forgacs • The Maelstrom"
/Historical Discourses of the Inconceivable One. in: montage/av p. 26•41, 2002/11/01
Joseph Hanania • “World War Ii Refugees Who Shared Little But Pain”
in: New York Times, 2002/10/25
Leah Ollman • "As History and Memory Ebb and Flow"
in: Los Angeles Times, 2002/10/01
Suzanne Muchnic • "On a River of Memory"
in: Los Angeles Times, 2002/08/11
János Weiss, J. A. Tillmann, Tamás Fehérvári • “Bibó breviárium”
in: Filmvilág, 2002/06
Phillippe Azoury • "Vue d’une figure libre hongroise"
in: Liberation, 2002/05/23
Jacques Mandelbaum • "Rhapsodies d’un antitotalitariste exemplaire"
in: Le Monde, 2002/05/23
Patrice Carré • "A Bibó Breviárium de P. F."
In: Le film Francaise, 2002/05/22
Ron Holloway • "Bibó Breviárium"
in: Moving Pictures, 2002/05/22
Catherine Portuges • "Home Movies, Found Images, and “Amateur Film” as a Witness to History"
in: Moving Imgage, pp. 107•123, Minnesota Press, 2001/Fall
Deirdre Boyle • "Meanwhile Somewhere…. A discussion with Péter Forgács"
in: Millenium Film Journal, 2001/Fall
Giacomo Gambetti • "Péter Forgács
in Lumière Cinema e Altro" in: 25•26 gennaio•giugno, 2001
Sven Spieker • "A Conversation with Peter Forgács" At the Center of Mitteleuropa 2002
in: ArtMargins, http://www.artmargins.com/content/interview/forgacs.html
Michael Renov • "The Maelstrom – A Family Chronicle"
in: catalogue Boston Jewish Film Festival, 2000/11/2•12
Gergely Bikácsy • "Privát Magyarország • Forgács Péter filmjei"
in: http://www.magyar.film.hu/object.B6DCB4D3-BE6F-4818-8B7F-0259A01CF932.ivy
Steve Seid • "Péter Forgács turns Home movies Into a Private Epiphanies"
in: RELEASE PRINT (San Francisco), 2000/July/August
Dennis Harvey • "Angelos’ Film" in: Variety, 2000/05/8•14
Carolyn Chapman • "Strait from the Horse’s Mouth: Hungary’s Contemporary Art Scene"
in: Where Budapest and in: Live Budapest/Art, 2000/03/06
Marnix Beekmans • "Turbulente periodeb in Griekse geschiedenis door gat in blik gefilmd" (Angelos’ Film)
in: TROUW (Amsterdam), 2000/02/07
H.J.A. Hofland • "Uit het rauwe leven" (Angelos’ Film)
in: NRC Handelsblatt (Amsterdam), 2000/02/07
Nico de Klerk • "Vaderschap, vaderland" Skrien, 2000/01
Timo•Erkki Heino • "EN HAULA INFORMOIDA, EN HAULA OPETTAA, EN HAULA VIIHDYTTÄÄ"
in: MEDIA VIRTUOSI, 2000
Paolo Vecchi: • "L’ALTRA FACCIA DELL’ESISTENZA UMANA"
Trieste Forgács Péter Grafitti Ungherese, 2002
Andrew J. Horton • "Forgacs Shows..."
In: Central Europe Review, 1999/12
Forgách András • "Zárt kertek pusztulása" in: Metropolis, 1999/summer
Bori Erzsébet • "Waching the River Flow"
in: Hungarian Quartely, 1999/summer
Földény F. László • "History Therapy on Film"
in: Metropolis, 1999/summer
Michael Rush • "Private Hungary: The Bartos Family"
in New Media in Late 20th•Century Art (World of Art) Thames & Hudson, 1999 p. 106•108
Kenneth Turan • "The Most Personal Filmmakers"
in: Los Angeles Times, 1998/12/01
Hulb Stam • "Nederladndse films in trek op IDFA"
in: Volksrkrant (Amsterdam), 1997/12/01
Antonia Naim • Marseille Festival
in: il manifesto, 1997/10/23
Christian Iseli • "Visualised Memories"
in: DOX (Denmark•Switzerland), 1997/08
Schubert Gusztáv • "A démon fényképészei"
in: Filmvilág (Budapest), 1997/8
Raymond van den Boogard • "Allemaal deschuld van de CIA"
in: NRC Handelsblatt (Amsterdam), 1997/06/27
Paolo Vecchi • "Budapest: Produzione In Ripresa"
in: L’Unita (Roma), 1997/02/16
Vasák Benedek Balázs • "A történelem melankóliája"
in: Múlt és Jövo (Budapest), 1997/2
Gerjan Zuilhof • "FREE FALL" in: 26th IFFR Catalogue (Rotterdam), 1997
Néray Katalin • "Between Actualities and Utopias in Central Europe"
in: Shiseido Exhibition Catalogue (Tokyo), 1996
Hirishi Minamishima • "Christ in a Sock"
in: Shiseido Exhibition Catalogue (Tokyo), 1996
Jerome Mallien • "Forgács, la colére froide du concept"
in: Derniere Nouvelles d’Alsac, 1995/04/05
Peternák Miklós • "INSTALLATIONSHAVINGS"
in: Kiscelli Museum Exhibition Catalogue (Budapest), 1995
Bori Erzsébet • "…s romlandóbb mint a málna, vagy a hal" "Forgács Péter újabb elégiái"
in: Beszélo (Budapest), 1994/11/18
Hajdu István • "Exhibitionism in the Indiference of God" in: Balkon (Budapest), 1994/10
J. R. • "Nazi•troepen in de stad"
in: NRC Handelsblatt (Amsterdam), 1993/11/10
Albert Wulffers • "Het Spel der Vergissen"
in: Nederland Film Museum Themareeks/20, 1993/10
Jerome Mallien • "»Wittgenstein« Sourire á l’objectif"
in: Derniere Nouvelles d’Alsac, 1993/03/23
Bori Erzsébet • "A mondható és a látható világ"
in: Beszélõ (Budapest), 1993/03/13
Pieter Bogaert • "Interlude Leven is Ijdelheid"
in: Andere Sinema, 1992/06
Josef Woodard • "Hitting Home" (Private Hungary)
in: Santa Barbara Independent, 1992/03/26
Balassa Péter • "Private Hungary • Filmarcheology"
in: Kritika (Budapest), 1992/02
Laurence Follea • "Images d’Amateurs"
in: Le Monde, 1991/10/28
Annick Péignégiuly • "Cine•journal d’une famille hongroise"
in: Liberation, 1991/10/27
Gergely Bikácsi • "Dream Copies of Péter Forgács"
in: Magyar Napló (Budapest), 1991/06/28
György Spíró • "Midnight or A Couple from the Attila Street"
in: Népszabadság (Budapest), 1991/04/28
Peternák Miklós • "Private Hungary"
in: Belvedere (Budapest), 1991/1
Mieke Bernink • "De Tragiek van de Tijd"
in: Screen, 1990/05/04
Földényi F. Lászó • "Analitikus terek – Forgács Péter installációi"
in: Magyar Lettre 29
Catherine Bangonnet • "FREE FALL"
in: Images documentaires n°28
Bill Nichols • in Introduction to replica orologi rolex Documentary pp. 105, 135•137
Malin Wahlberg • "Figures of Times / chapter Private Recollection
In: The Family Album" pp 209 •220
Michael Renov • "Historical Discourses of the Unimaginable: P. Forgacs The Maelstrom”
In: Film magasine VICTOR 9•2004, Malmo
in: Svenska Dagbladet/Kultur (Stockholm), 2004/02/01
Kim Skotte • "Mit private Ungarn"
in: Politiken (Copenhagen), 2004/02/01
Eva Ekselius • "Innan vardagen föll i bitar"
in: Dagens Nyheter / Kultur (Stockholm), 2004/01/31
Robert Lacombe • "Péter Forgács : Budapest privée, le cinema entre histoires personelles et tragédies nationales.”
In: Budapest en mouvment. Editions autrement pp 108., 2004
Scott MacDonald • "Péter Forgács” in: A Critical Cinema 4,
Interviews with independent Filmmakers, pp. 289, University of California Press, 2004
Catherine Bangonnet • "The FREE FALL" “World Best 50 Documentaries”
in: DOX International Documentary Film Quarterly No. 6/2003/12
Oliver Kohn • "Pages arrées au livre du temps. Introduction sommaire au travail de Péter Forgács"
in: Positif No.505, 2003/03
Jessica Kedward • " 'The Psychoanalysis of Histrory' Péter Forgács in the GRI"
in: first draft •of the Getty Museum• Research Institute, 2003/1
Roger Odin • "La Famille Bartos de Péter forgács, ou comment rendre l’histoire sensibile"
in: Théorème, Cinéma Hongroise – Le temps et histoire, PRESSES SORBONNE NOUVELLE, 2003
Fiona Trigg • "Burgeoise Dictionaries / Meanwhile Somewhere…1940•1943"
In: remembrance + the moving image, Australian Centre for the Moving Image, 2003
Michael Rush • "Wittgenstein Tractatus" p. 143 in: Video Art • Thames & Hudson, 2003
Private Europe • "il cinema di Péter Forgács"
In: FILMMAKER booklet Nov. (Milano), 72 pages 2003
Marsha Kinder and Zaia Alexander • "The Danube Exodus"
in: Future Cinema p. 359. ed. J. Shaw & P. Weibel ZKM, 2003
Paolo Simoni • "Archeologia della storia privata" in: FILMMAKER, 2002/12
Michael Renov • "Historische Diskurse des Unvorstellbaren. Peter Forgacs • The Maelstrom"
/Historical Discourses of the Inconceivable One. in: montage/av p. 26•41, 2002/11/01
Joseph Hanania • “World War Ii Refugees Who Shared Little But Pain”
in: New York Times, 2002/10/25
Leah Ollman • "As History and Memory Ebb and Flow"
in: Los Angeles Times, 2002/10/01
Suzanne Muchnic • "On a River of Memory"
in: Los Angeles Times, 2002/08/11
János Weiss, J. A. Tillmann, Tamás Fehérvári • “Bibó breviárium”
in: Filmvilág, 2002/06
Phillippe Azoury • "Vue d’une figure libre hongroise"
in: Liberation, 2002/05/23
Jacques Mandelbaum • "Rhapsodies d’un antitotalitariste exemplaire"
in: Le Monde, 2002/05/23
Patrice Carré • "A Bibó Breviárium de P. F."
In: Le film Francaise, 2002/05/22
Ron Holloway • "Bibó Breviárium"
in: Moving Pictures, 2002/05/22
Catherine Portuges • "Home Movies, Found Images, and “Amateur Film” as a Witness to History"
in: Moving Imgage, pp. 107•123, Minnesota Press, 2001/Fall
Deirdre Boyle • "Meanwhile Somewhere…. A discussion with Péter Forgács"
in: Millenium Film Journal, 2001/Fall
Giacomo Gambetti • "Péter Forgács
in Lumière Cinema e Altro" in: 25•26 gennaio•giugno, 2001
Sven Spieker • "A Conversation with Peter Forgács" At the Center of Mitteleuropa 2002
in: ArtMargins, http://www.artmargins.com/content/interview/forgacs.html
Michael Renov • "The Maelstrom – A Family Chronicle"
in: catalogue Boston Jewish Film Festival, 2000/11/2•12
Gergely Bikácsy • "Privát Magyarország • Forgács Péter filmjei"
in: http://www.magyar.film.hu/object.B6DCB4D3-BE6F-4818-8B7F-0259A01CF932.ivy
Steve Seid • "Péter Forgács turns Home movies Into a Private Epiphanies"
in: RELEASE PRINT (San Francisco), 2000/July/August
Dennis Harvey • "Angelos’ Film" in: Variety, 2000/05/8•14
Carolyn Chapman • "Strait from the Horse’s Mouth: Hungary’s Contemporary Art Scene"
in: Where Budapest and in: Live Budapest/Art, 2000/03/06
Marnix Beekmans • "Turbulente periodeb in Griekse geschiedenis door gat in blik gefilmd" (Angelos’ Film)
in: TROUW (Amsterdam), 2000/02/07
H.J.A. Hofland • "Uit het rauwe leven" (Angelos’ Film)
in: NRC Handelsblatt (Amsterdam), 2000/02/07
Nico de Klerk • "Vaderschap, vaderland" Skrien, 2000/01
Timo•Erkki Heino • "EN HAULA INFORMOIDA, EN HAULA OPETTAA, EN HAULA VIIHDYTTÄÄ"
in: MEDIA VIRTUOSI, 2000
Paolo Vecchi: • "L’ALTRA FACCIA DELL’ESISTENZA UMANA"
Trieste Forgács Péter Grafitti Ungherese, 2002
Andrew J. Horton • "Forgacs Shows..."
In: Central Europe Review, 1999/12
Forgách András • "Zárt kertek pusztulása" in: Metropolis, 1999/summer
Bori Erzsébet • "Waching the River Flow"
in: Hungarian Quartely, 1999/summer
Földény F. László • "History Therapy on Film"
in: Metropolis, 1999/summer
Michael Rush • "Private Hungary: The Bartos Family"
in New Media in Late 20th•Century Art (World of Art) Thames & Hudson, 1999 p. 106•108
Kenneth Turan • "The Most Personal Filmmakers"
in: Los Angeles Times, 1998/12/01
Hulb Stam • "Nederladndse films in trek op IDFA"
in: Volksrkrant (Amsterdam), 1997/12/01
Antonia Naim • Marseille Festival
in: il manifesto, 1997/10/23
Christian Iseli • "Visualised Memories"
in: DOX (Denmark•Switzerland), 1997/08
Schubert Gusztáv • "A démon fényképészei"
in: Filmvilág (Budapest), 1997/8
Raymond van den Boogard • "Allemaal deschuld van de CIA"
in: NRC Handelsblatt (Amsterdam), 1997/06/27
Paolo Vecchi • "Budapest: Produzione In Ripresa"
in: L’Unita (Roma), 1997/02/16
Vasák Benedek Balázs • "A történelem melankóliája"
in: Múlt és Jövo (Budapest), 1997/2
Gerjan Zuilhof • "FREE FALL" in: 26th IFFR Catalogue (Rotterdam), 1997
Néray Katalin • "Between Actualities and Utopias in Central Europe"
in: Shiseido Exhibition Catalogue (Tokyo), 1996
Hirishi Minamishima • "Christ in a Sock"
in: Shiseido Exhibition Catalogue (Tokyo), 1996
Jerome Mallien • "Forgács, la colére froide du concept"
in: Derniere Nouvelles d’Alsac, 1995/04/05
Peternák Miklós • "INSTALLATIONSHAVINGS"
in: Kiscelli Museum Exhibition Catalogue (Budapest), 1995
Bori Erzsébet • "…s romlandóbb mint a málna, vagy a hal" "Forgács Péter újabb elégiái"
in: Beszélo (Budapest), 1994/11/18
Hajdu István • "Exhibitionism in the Indiference of God" in: Balkon (Budapest), 1994/10
J. R. • "Nazi•troepen in de stad"
in: NRC Handelsblatt (Amsterdam), 1993/11/10
Albert Wulffers • "Het Spel der Vergissen"
in: Nederland Film Museum Themareeks/20, 1993/10
Jerome Mallien • "»Wittgenstein« Sourire á l’objectif"
in: Derniere Nouvelles d’Alsac, 1993/03/23
Bori Erzsébet • "A mondható és a látható világ"
in: Beszélõ (Budapest), 1993/03/13
Pieter Bogaert • "Interlude Leven is Ijdelheid"
in: Andere Sinema, 1992/06
Josef Woodard • "Hitting Home" (Private Hungary)
in: Santa Barbara Independent, 1992/03/26
Balassa Péter • "Private Hungary • Filmarcheology"
in: Kritika (Budapest), 1992/02
Laurence Follea • "Images d’Amateurs"
in: Le Monde, 1991/10/28
Annick Péignégiuly • "Cine•journal d’une famille hongroise"
in: Liberation, 1991/10/27
Gergely Bikácsi • "Dream Copies of Péter Forgács"
in: Magyar Napló (Budapest), 1991/06/28
György Spíró • "Midnight or A Couple from the Attila Street"
in: Népszabadság (Budapest), 1991/04/28
Peternák Miklós • "Private Hungary"
in: Belvedere (Budapest), 1991/1
Mieke Bernink • "De Tragiek van de Tijd"
in: Screen, 1990/05/04
Földényi F. Lászó • "Analitikus terek – Forgács Péter installációi"
in: Magyar Lettre 29
Catherine Bangonnet • "FREE FALL"
in: Images documentaires n°28
Bill Nichols • in Introduction to replica orologi rolex Documentary pp. 105, 135•137
Malin Wahlberg • "Figures of Times / chapter Private Recollection
In: The Family Album" pp 209 •220
Michael Renov • "Historical Discourses of the Unimaginable: P. Forgacs The Maelstrom”
In: Film magasine VICTOR 9•2004, Malmo